Our oldest son has spent the last two months serving on the crew of his high school’s spring musical that culminated this past weekend. This group of teenagers and adult volunteers put on a production of Hello Dolly that punched way above its weight. The set, choreography, orchestra, singing, acting, and all the things was so impressive and the show was a delight in spite of some dated gender politics.
It is special to see over a hundred students harness a myriad of talents into such a cohesive end result. Even better was witnessing the real community that grew over the production’s formation. I could see it in the hugs and tears on closing night and I heard it for weeks in the stories that Jim would tell me when I picked him up from school. These kids are alright and that is good news for the world.
John Mulaney had a bit about seeing a gazebo that was erected during the middle of the Civil War and compared it to the absurdity of doing stand-up comedy during the fraught and, in retrospect, quaint days of the first administration of the White House’s current occupant. The same logic could apply to putting on a song-and-dance musical in the midst of our current upheaval of violent ICE overreach, the thick corruption surrounding the Epstein Files, bombing of ships near Venezuela, and now another way in the Middle East. Is it absurd to put on a musical in this kind of world? Maybe. Is it essential? Absolutely.